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Contemporary |
| Classic | |
| Education & Outreach | |
| Opera | |
| Dance | |
| Fine Art | |
| Rural Network | |
On CHROMA's live performances: "Blind Date" - six opera shorts, with Tête à Tête opera company November 2007: "expert playing from the ensemble CHROMA under Tim Murray's alert baton " "The progeny of speed-dated librettists and composers as workshopped at Tete a Tete’s inaugural opera festival last August, Blind Date emerges now as polished full-length entertainment. Its six components, expertly projected by singers, ensemble and musical director Tim Murray are economically but memorably presented on a sparsely furnished open stage suffused with red light. "
"Odysseus Unwound" - composed by Julian Grant, libretto by Hattie Naylor "the top-notch chamber ensemble CHROMA" "so beautifully played by CHROMA under Tim Murray, and so very well sung and acted that this shoe-string touring production is a must-see" Anna Picard, The Independent 22 October 2006
On Spital Fields - A Community Cantata, composer Jonathan Dove "Musical alchemy creates perfect gem... a brilliant kaleidoscope of colour and mood, zestful and touching in equal measure, its exhilarating performance here a glowing tribute to the community spirit." Geoffrey Norris in The Telegraph 24 June 2005 "This brilliant 75-minute cantata is the best piece of community music-making I have seen in several years ... Dove also used the chamber ensemble CHROMA to produce both sinister shadows and moments of ethereal beauty, including one exquisitely calm, quasi-Elizabethan song for solo soprano and harp." The Times 24 June 2005
"At the medieval priory of Ewenny in Bridgend, it is as much the resonance of history as the acoustic that makes concerts such a vivid experience. On September 6, the players of the ensemble CHROMA used the reverberance to their advantage, creating some fine tone colours and harmonics: first in John Cooney's Chasing Shadows and then in the String Quartet no.2, Ring of Waves, by Gabriel Jackson. Here first violinist Marcus Barcham-Stevens brought a soaring beauty to phrases reminiscent of the pastoral ecstasy of Vaughan Williams. CHROMA's cellist Clare O'Connell gave an evocative performance of two movements from Peter Reynolds' Suite for Cello: her tender tone lent a poignant edge to the lyrical barcarolle, while the eerie but atmospheric moto perpetuo was well controlled."
"CHROMA played with an unabashed and infectious passion... A fine example of the hidden gems the Festival can occasionally produce, a huge standing ovation came as no great surprise. More, please!"
"The remarkable young chamber group CHROMA"
"Taking the disturbing grotesqueries of Goya's Los Caprichos as its starting-point, this sparky piece accumulates great kinetic energy. Violin, cello and the hyperactive piano often provide percussive effects to season the occasional long-breathed melody from clarinet and violin, and the whole piece exploits with tremendous success the natural empathy of the CHROMA players, to whom it is dedicated."
"Featuring three wind soloists in turn, (Ritual Songs and Blessings) proved to be a beautifully constructed composition for seven musicians from the excellent young group CHROMA"
"CHROMA could give such groups as the Nash and Endymion a run for their money...the cause of new music needs advocates like these"
"The mixed ensemble CHROMA showed itself quite a find too - the Nash and Endymion had better start watching out"
"Ensemble playing of incomparable splendour"
"Technically skilled and polished, the five young CHROMA instrumentalists were outstanding"
"A fine sense of ensemble"
On CHROMA's debut CD out on RiverRun records: "**** - finely played by the ensemble CHROMA" "A very welcome arrival on the chamber music scene...their excellent playing and interpretation is apparent throughout" "CHROMA's performance is exquisite...this is a CD for playing on a balmy summer evening with figs and Chablis to hand"
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